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Royalty free plays for Australia
List of modern playwrights deceased before 1 Jan 1955 per Australian Copyright Council
Contents |
1954
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Fred Lonsdale.
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- On Approval (play) full length comedy, was made into a film, now in archive only[1]
- Aren't We All? (1923) full text
- Spring Cleaning (1925)
- The Last of Mrs. Cheyney (1925)
- Canaries Sometimes Sing (1929)
- The Way Things Go 1949,*Let them eat cake
and assorted musicals
1953
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Eugene O'Neill
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- Anna Christiefull text
- The First Man full text
- The Hairy Apefull text
- Ilefull text
- The straw full text
- Strange interlude sydney 2011 performance
1950
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George Bernard Shaw
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- Candida (play) full text
- The apple cart full text
- Pygmalionfull text
- Arms & the man full text
- Mrs Warren's Profession
- Man & Superman full text
- Millionairess full text
1949
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The Blue Bird full text for children collected works part 1 collected works part 2
Animal Kingdom. Philadelphia story.
1948
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- Jet of Blood
Susan Glaspell
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1946
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Gerhart Hauptmann
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- The Conflagration link
Harley Granville-Barker
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- The Marrying of Ann Leete link
- The Voysey Inheritance link
- Waste link
- Harlequinade experimenatl
1945
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Bruno Frank
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- Storm in a teacup
Georg Kaiser
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- A Gardener of Toulouse
1944
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George Ade
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1939
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Sidney Coe Howard
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1937
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J. M. Barrie
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- Quality Streetfull text
- Peter Pan full text
- What every woman knows full text
- The twelve pound look full text
- Dear Brutus full text
- Alice sit by the fire full text
1936
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Maxim Gorky
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- The lower depths
- Mother full text
1935
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Steele Rudd
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- Our New Selection (1903)
1934
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Arthur Wing Pinero
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- The Magistrate[2]
- The Second Mrs Tanqueray
- Trelawny of the 'Wells'
- The Schoolmistress (1866)
- Dandy Dick (1887)
- The Cabinet Minister (1890) full text
- The Notorious Mrs. Ebbsmith| The Notorious Mrs. Ebbsmith (1895) link
- The Gay Lord Quex (1899) link
- The big drum full text
- The squire link
- Mind the paint, girl link
1933
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John Galsworthy
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Lady Augusta Gregory
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1931
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Sir Hall Caine
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1905
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Julian Magnus
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- Trumped suit (one act) (1898) [text] [trumped suit review]
also see
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Plays under creative commons license
creative commons student product
Older plays (eg. Elizabethan and greeks)
Reviews
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Tumped Suit (1898) by Julian magnus (died 1905)
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Perfect for amateur one act. three female, two male, box set (drawing room) situation comedy in which a tragically shy father and suitor complete a dance of avoidance around a proposal to the daughter Cecila, with disbelief from her younger sister and an entirely unsitable rival. A solid farce.
Cabinet minister by Arthur Wing Pinero (d. 1934)
8 Male 9 female . Full length farce in four acts. Many pre-1955 plays do not translate well into a modern setting, yet I hold this to be an exception. Only under certain circumstances can you place courtly manners, class consciousness and parental matrimonial guidance. One finds this appropriate in a context of wealth and Power . This play is about the families of a cabinet minister and a Highland laird. Both the cabinet ministers children defy him in their choice of suitor and in both cases Pinero demonstrates his famous declaration that women engineer proposals in which men are passively willing. The minister is so powerful and wealthy that the class distinction between his wife and her dressmaker would not be out of place today. My favourite line is directed by the ministers wife to a shady dealer "If you lent a woman your arm, it would be at a premium". There are many sub-plots including the ministers two siblings wriggling out of their mother's best intentions to wed them well. Thankfully there are no chaperones. The minister is desperately trying to stave the wolves from his door, while his wife is lending to support her matrimonial plays before his political career implodes. There is a cautionery fable around insider trading also played out. Two sets (Drawing rooms) The script mentions two complete sets of ludicrously overdone national dress, but a substitute for highland trews could be written in.
Aren't we all (1923) by Frederick Lonsdale (d 1954)
8 male 4 female (5 males could be used with doubling). Lonsdale liberated an aristocratic woman in his persoanl life and 'exposure of British hypocrisy' is a continuing theme in his plays. There are many witty lines in Aren't we all, but humor is secondary to moral exploration. An upstairs view of an aristocratic house in which fidelity of two couples is doubted and rescued from the brink. Some may not like the gender based double standard, but there is comic relief from unwelcome house guests, a happy ending and one character is australian.